Acrobatics

Acrobatics

The History of Acrobatics

Acrobatics have been around so many thousands of years that historians are left assuming they have always been around. Some of the most ancient art we have from societies like Greece, Rome, Egypt, and China all show images of people performing acrobatic feats.

Sometimes these performances were part of theater, court life, or competitions…sometimes they were part of cultural events. Ancient Minoan art depicts people performing acrobatics on the backs of bulls as part of the bull festivals, for example. In China, acrobats were part of the royal court from at least the Tang Dynasty, beginning in 203 BC.

In the Middle Ages in Europe, acrobats often performed for courts of both nobles and monarchs.

Types of Acrobatics

“Acrobatics” is a wide, general term that encompasses quite a lot of different things. Many of the ancient forms we see displayed in art include what we today would call contortionism, juggling, gymnastics, and balancing acts. The word itself is derived from Greek, combining “going on tip-toe, climbing up high” and “to walk.”

 

Typical breakdown of this general term includes:

Acrobalance – floor work in which the acrobats use balance and lifts to create shapes with their bodies.

Acro dance – classical dancing that uses precision acrobatic techniques

Aerial – acrobatics performed in the air, which you can read more about here. Includes trapeze, highwire, rings, hoops, and silks

Contortion – showcasing extreme flexibility

Rope and wire walking – dating from Ancient Greece, involves crossing a thin wire in the air, often performing tricks

Tumbling – what moderns call gymnastics, including somersaults, flips, rolls, and twists

 

Circus Acrobats

Acrobatic displays, being perennial popular, were a natural edition to the first traveling circuses. Floor exercises were a simple edition, but it didn’t take long for Big Tops to include platforms for high wires, trapezes, hoops, and silks.

Though the first circuses mostly just featured exotic animals, audiences craved action, and so these highly skilled performers brought guests in and wowed them with their feats, colorful costumes, and seemingly impossible contortions. Acrobats have been a key component of circuses from the 19th century onward and are still a much beloved part of performances today.

In the World of the Imposters

Yates and Marigold are both skilled acrobats, having been training since they were children with the Caesars as well as independent groups their late father hired to entertain the neighborhood. Each of the Caesars specializes in a different subgenre of acrobatics.

Franco & Zelda – this married couple have a trapeze act, and Franco was the ringmaster as well

Drina – Franco’s sister is an expert on silks

Alafair – this Caesar cousin is a master at floor acrobatics

W R I T E   T O   F R A N C O

Have questions about the circus or managerie?
You can email Franco directly at
Ringmaster@TheImpostersLtd.com

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There’s So Much to Explore!

Learn more about the Edwardian circus that defined the Imposters’ childhood, get fashion tips from Lady M, explore the theater of the day, meet the team, pet the animals, go behind the Top Secret stamp to learn about intelligence in the early 20th century, train yourself to be a private investigator, and dive into some fun and games!

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Circus Animals

Circus Animals

Menageries have been popular attractions for eons–as in, dating back to the Romans. Their popularity never really waned…and in fact, it increased with time, as education became more common and science advanced. More and more people wanted to understand animals, but traveling to the wilds was still beyond what most of them could hope for.

Enter the menagerie. In the days of absolute monarchy in Europe, it was usually only the richest of nobles and kings who could afford to have such a thing, and they were part of their grand estates and palaces. But then private enterprise began to kick in. Sailors would bring back exotic creatures from the lands they visited–birds, snakes, monkey, and so on–and animal dealers would buy them, then resell to other entrepreneurs.

In the seventeenth and eighteen centuries in England, there were many permanent menageries throughout England, and they enjoyed spectacular success. Eventually these would be called “zoological parks”…or zoos for short. 😉 But in the nineteenth century, the managerie took on new life: because it took on wheels.

The idea of a traveling managerie would have seemed strange to those nobles and kings of centuries past, but in the world of faster transportation and a growing middle class, these exhibits provided a way for people all over the country of all incomes to experience the awe and ahh of animals the would never have seen with their own eyes otherwise.

Traveling circuses–which began with equestrian trick riding anyway–soon had manageries as feature attractions in their shows.

But you can guess what happened–what ALWAYS happens with people.

They got bored. They’d already seen those snakes and birds and monkeys. They wanted MORE. More excitement, bigger animals, wilder animals. They wanted to see them doing something, not just sitting in a cage. And this is where the circus animal shows really began.

Often called “lion acts” because of the popularity of that King of the Jungle, circuses were soon training their animals to put on performances, either as the sole stars or along with their trainers. Lion tamers and their ferocious cats would act out well choreographed shows; women would ride on elephants who balanced on impossibly small objects; comedians (clowns) would let the beasts lead them into hilarious situations to get a laugh.

Many circuses and traveling manageries actually started–or at least furnished–many zoos still popular today. As animals lost popularity or grew too old to perform, they would be set up as a calmer attraction at these parks. But interestingly, many of the animals in manageries still worked–at a large zoo in London, it was commonplace to see zebras pulling lawnmowers or being hitched to carriages. Can you imagine?!

Circus manageries experienced a decline throughout the twentieth century, though it was a gradual one. And their impact on the world cannot be underrated. Thanks to them, millions of people got to study and understand animals from all over the world; zoological parks were founded that enabled further science and study; and even today, children and adults alike can witness the awe and grandeur of creation in their own towns and cities at these zoos.

And of course, in the world of the Imposters, the Fairfax siblings have a little retired managerie that claims part of their heart.

Penelope

Penelope

Penelope is a capuchin monkey whose favorite place in the world is on Yates’s shoulder.

Leonidas

Leonidas

Leonidas was born in captivity and played with the Fairfax siblings from the time he was a cub. Lions in captivity tend to live longer lives than those in the wild, and he’d getting up there in years and tends to act more like than an overgrown housecat than a wild beast.

Peabody

Peabody

Peacocks have been kept at noble’s estates for centuries; Peabody came with the circus though, and is known for his stand-offish ways. His feathers, however, are one of Lady M’s signature decorations!

Pardulfo

Pardulfo

Lions aren’t the only big cats in the Caesar’s circus managerie! Pardulfo the leopard is another awe-inspiring feline who now calls the Tower his home.

Cassowaries

Cassowaries

Though I don’t mention the names of the cassowaries, chasing the chicks when they escape from their holding area is dubbed the new “sport of kings” by the Tower crew.

Ellie

Ellie

Ellie the elephant isn’t still with the Caesars during the Imposters books, but they all remember her with fondness from their childhood!

Ostriches

Ostriches

The ostriches, though also unnamed in the pages of the books, are another bird present at the Tower who donates some feathers to the fashion endeavors. Ostrich feathers have long been used for everything from hats and fans to pens!

W R I T E   T O   F R A N C O

Have questions about the circus or managerie?
You can email Franco directly at
Ringmaster@TheImpostersLtd.com

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Shorthand

Shorthand

Shorthand. Most of us have heard of it. We know, generally speaking, that it’s a system of writing that enables the writer to record at the same speed at which a person speaks–which is pretty remarkable. We’re probably most familiar with it today through historical works and court stenography, which of course now uses machines but was hand-written for a long time.

But what is shorthand, speaking in more concise terms? And how and when was it created? What version would Gemma Parks be using in the Imposters series?

A Short History of Shorthand

Shorthand has been around … let’s say a LONG time. The oldest record we have of it is actually inscribed on the Parthenon in Greece, but you can bet that if it made its way onto something like that, it was in common use well before this temple was built in the 5th century BC. Tracing it up through the ages, we see systems of shorthand in both Eastern and Western culture in various forms, all the way into modern times. Most Western shorthand systems focus either on vowels OR consonants, using variations of symbols for their primary sounds to indicate the seconary. So either consonants with variations to indicate the vowels, or vowels with variations to indicate consonants.

The earliest known shorthand in China–a “highly cursive” variation of their writing–was first used in court proceedings, especially to take confessions. Accuracy was crucial here because the confessor had to sign and “seal” a written confession with their thumbprint before it could be entered into official court records.

As ancient gave way to modern, progress continued to be made on shorthand methods for each language, bringing us all the way up to the modern era.

In 1909, the system most popular in England (and second-most popular in the US) was the Pitman system. This system was taught as one of the first requirements of correspondence school and is what Gemma Parks would have learned for her journalism…and of course, for the Imposters’ investigative work.

The Pitman System of Shorthand

Sir Isaac Pitman created his legendary and long-lived version of shorthand in 1837. Like most othery popular English shorthand methods,  rather than relying on how a word is spelled, it relies instead on how it is pronounced. For this reason, shorthand was often called phonography.

Where Pitman revolutionized the process was in using stroke breadth to add variation. Think of it as something being bolded. A bold or thick line would indicate a heavier sound. For instance, the related sounds of P and B would be written with the same stroke, but the B sound would be thicker.

Pitman’s alphabet relies on only two strokes: the straight line and the quarter-circle. Their direction and placement are what dictate their sound. Of course, to the untrained eye, it looks like a bunch of chicken scratch…

 

…but those who are fluent in his alphabet can read it as easily as any other words and write it far, far faster.

His strokes and quarter-circles all represent CONSONANTS. Vowels are indicated by dots (for short vowel sounds) and dashes (for long ones) which are positioned around the consonant strokes to indicate whether the vowel sound comes before or after, and which vowel it represents.

To make it even faster, vowels can be left out entirely if their clarification isn’t needed. But unlike some vowel-deprived systems, they’re still there for when you do.

Here’s Pitma’s consonant alphabet with a phonetic spelling of each letter. Note that they do NOT match the written alphabet! Instead, they include unique characters for combined sounds like for CH or SH.

The Pitman system of shorthand also includes what are called “logograms”–symbols representing whole words or commonly grouped words. So phrases like “you are” and “thank you” would have a single symbol, as would words like “the,” “an,” “and,” “have,” and so on.

Circles, loops, and hooks are also used to represent different sounds like S-and-Z (circles of various sizes) and the -st or -sed endings (loops).  Hooks can face either direction depending on what they represent and be either at the beginning or ending of another sound to indicate R or N or SHUN sounds.

And for even more possible variations, there is “halving” and “doubling” of the existing symbols.

Amusingly, Pitman’s epitaph on his gravestone is written phonetically (“in luving memeri ov…”). His system spread through the entire English-speaking world in large part thanks to his brothers, who emigrated to America and Australia, and took the system with them, using it in courtroom settings in both countries.

W R I T E   T O   G E M M A

Have an journalistic or shorthand questions?
You can email Gemma directly at
GMParker@TheImpostersLtd.com

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Investigator’s Tool Kit

Investigator’s Tool Kit

Let’s Fill Your Kit!

A good investigator knows never to leave home without a few crucial tools…do you have these in YOUR bag?

Keys

Keys

Did you know that in Victorian and Edwardian times, there were only about 18 lock designs in all the world? And 90% of the locks could be unlocked with one of THREE master keys!

It’s no surprise, then, that the Imposters always carried the most common master keys in their pockets or bags.

Today, it’s a bit trickier…but if you frequently need to find your way into locked rooms (from forgetfulness, of course!), you can buy model door handles and locks and lock pick sets specifically designed to help train you.

Measuring Tape

Measuring Tape

Precision is often required in the world of investigating. Just ask Yates, who occasionally drills holes to plant listening devices. To avoid drilling in the wrong place, he falls back on the obvious: measure twice, bore once. 😉 Soft, pliable measuring tapes may be a bit more difficult to use, but they’re easy to slip into a pocket and don’t weigh you down.

A Dependable Watch

A Dependable Watch

Accuracy is important in more than physical measurements–it’s just as crucial in matters of time. When coordinating efforts, it’s vital that all members of the team have a dependable, accurate watch, and that the team has syncronized their timepieces. In 1909-1910, Wilsdord hadn’t yet perfected his Rolex wristwatch, and pocket watches were still the most reliable.

Pocket Torch

Pocket Torch

Okay, I admit it…I exaggerated how small flashlights were by 1909, just for ease of storytelling. The ones commercially available at the time were a bit bulky for a lady’s handbag. But let’s just assume our crew had some ingenuity and rigged their own. At any rate, small flashlights come in handy for everyone. Especially those slinking about in the dark!

Pen and Paper

Pen and Paper

This may seem obvious, but how often do we find ourselves needing to write something down but lacking the utensils? A pen or pencil and a notebook is a must for any investigator…even ones as skilled in memorization as the Fairfax siblings.

Listening Device

Listening Device

We think of microphones as being modern inventions, and they are…but as early as the late 1800s, there were amplification devices, first designed as hearing aids. The Imposters are in possession of a rather cumbersome Aukophone (a later version pictured here that is considerably more transportable) that had been their grandfather’s as he lost his hearing. Very handy for listening in on hushed conversations!

First Aid Kit

First Aid Kit

Though adhesive bandages weren’t invented until 1921, first-aid kits have been around for far longer than that! And though the Imposters pride themselves on their skill and care, they still wouldn’t risk leaving evidence behind them in the form of blood drops in case of scrapes or punctures. They would most assuredly have a first-aid kit with bandages and salves with them on any excursion.

W R I T E   T O   Y A T E S

Have an investigative questions?
You can email Yates directly at
Yates@TheImpostersLtd.com

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Simple Hair Bling Elegance

Simple Hair Bling Elegance

The Problem

You need a quick touch of bling or elegance to an everyday hairstyle.

You know what it’s like; you’ve fixed your hair for the day, and it looks fine. But it’s evening, and you need to update your look to something more appropriate for your plans.

Whether you have an updo, a messy bun, a ponytail, or loose-styled hair, any of these tips can be used to achieve quick results that will be unique to you.

The Fix

Look around your home, specifically your personal space. What can you see? Brooches, Flowers, Decorative Accessories, Christmas Ornaments, and more can all be temporarily turned into fun and unique looks.

You only need a hair barrette or two and a hairpin (or bobby pin). I know it sounds too simple. But I’ve been using these tricks for years and get compliments on these nonhair accessories. 

One of my favorites is Christmas ornaments that have an alligator clip. The butterfly is an ornament that I can clip into my hair whenever and no other items are needed. If you have a couple of smaller butterflies, you can clip them on either side of your head, pulling your hair back like a barrette.

I also use Christmas ornaments that have their hanging string attached to them. These can be placed in the hair with a barrette or hairpins (for an updo).

Artificial flowers that you have in vases are a quick addition to updos. Slip the wire stem into your hair for a colorful splash. And if you are wearing floral perfume, a quick squirt to the flower is a nice touch.

If you don’t have any artificial flowers, you can also make tissue paper flowers; I’m partial to roses because they are easy to make. Save any tissue wrappings that have been used for gift-giving for an on-hand supply for making paper roses. The roses are held in the hair with the yarn used to bind the roses together. Perfect for almost any hairstyle.

Leis can be wrapped around a bun or ponytail for a simple-to-apply but elegant look. 

My final tip can provide the most bling – brooches can add extra sparkle to your hair. Slip the pin portion over the top portion of the barrette and apply it to your like any other barrette and bring attention to your hair.

Just look around your home and reimagine what you have as something else. You’ll be surprised what treasures you have at hand. And soon, you’ll have the hair everyone is talking about and admiring.

 

Written by

W R I T E   T O   L A D Y   M

Have a fashion question or a fabulous and frugal tip you’d like her to share in this column?
You can email Lady M directly at
LadyM@TheImpostersLtd.com

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How to Darn

How to Darn

Does a Hole Spell the End?

It always makes me sad when my clothes develop little holes in them, since I know how fast those teeny-tiny holes can grow into unseemly, gaping ones. And it always seems that the most comfortable clothes wear out first.

But that doesn’t have to happen! Instead of throwing away your favorite shirt or regulating it to the stay-at-home clothes pile at the back of your closet, you can quickly and simply solve the problem by darning the hole.

What is darning, you say? Well, it’s not just an exclamation, it’s a time honored method of mending small holes with a needle and thread, a real wardrobe saver.

Darning is easiest on holes less than an inch in diameter. To darn a hole, you’ll need:

  • the article with a hole
  • a needle, preferably with a blunt tip
  • thread, that’s similar in weight to the fabric which you’ll be using. I’ve found mercantile crochet cotton to work well on thicker fabrics like denim or thick socks, and standard sewing thread on t-shirt cotton and other lightweight fabrics.
  • scissors or snips. It’s handy to have a little pair of scissors or snips on hand for cutting threads, so your fabric-cutting scissors don’t become dull.

First, thread your needle with about 1-2 feet of thread, depending on the size of the hole. There’s no need to knot the thread. Not knotting it keeps the darn flat, and avoids irritating bumps on the inside of your clothes.

Keeping a close eye on the tail of the thread so you don’t pull it through, sew a running stitch in an outside circle around the hole. This stitched circle should be close to the hole, but in fabric that hasn’t frayed or worn yet.

Next, you’ll lay down the warp. You do this by sewing a row of parallel threads running across the hole. Tension is important here. If these threads are too tight, they’ll pucker the fabric. If they’re too loose, the fabric will sag. Don’t worry if you mess up, though, it doesn’t have to be absolutely perfect. It’s beautiful because it’s functional.

This last step is the most fun. It’s called the weft or the woof, depending on where you live. This is a very basic weaving technique. You run another set of threads parallel to each other, and perpendicular to the warp threads from the last step. As you sew the weft, you will go under the first warp thread, over the second, under again, and so on. When you reach the other side, you’ll turn around and come back. This time, any threads you went under, you’ll go over now, like a checkerboard.

You’ll finish up by tucking the end of the thread into the darn and trimming both loose ends close to the fabric.

This is one of my early darns. I used white for the warp and sparkly blue for the weft. It’s a little loose, I’d sew it tighter if I was to redo it,  but it works!

Written by

W R I T E   T O   L A D Y   M

Have a fashion question or a fabulous and frugal tip you’d like her to share in this column?
You can email Lady M directly at
LadyM@TheImpostersLtd.com

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How to Darn

How to Darn

Get a hole in your favorite piece of clothing? No need to consign it to the rubbish-pile! Just darn it!

read more

No Results Found

The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.

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