Behind the Design – Cover of Soul Painter

Behind the Design – Cover of Soul Painter

Well last week’s cover post was so much fun, I decided to do another one today. =) Especially because this week I’m editing the truly-amazing book behind the cover.

Soul Painter is set in 1891 Chicago–a city of crime and excess, where the opium dens butt up against churches, where the opulence contrasts the squalor. The author of this book is Cara Luecht (pronounced “Licked”–I asked), and she has a skill the likes of which I haven’t seen in years for painting a mood.

What mood, you ask? Gothic. A touch of film noire. The elements are every designer’s dream. We have an eccentric hermit of a heroine–Miriam Beaumont hasn’t, so far as Chicago knows, stepped foot out of her warehouse apartment since her father died some years ago. Maybe she’s a witch. Maybe she was terribly burned in an industrial accident. Maybe…maybe…

Maybe she preferred to watch the world go by.

But she did go outside. Once in a while. Only at night. Only in the fog. Then she would pace the streets around her dormant warehouse, beside the cathedral. She would look up at the statue of the Virgin Mary outside it and identify with the cracked creation. But she would always return before dawn could pierce the fog.

And she would paint. She would watch the faces that went by, and she would paint. First what her eyes saw.

And then what her soul did. Over the layers of reality she would paint…the future. For years, she had done this, and then watched the children grow up into the image she had seen.

Until Ione. Ione was supposed to be strong. Ione was supposed to be successful. So why is the young woman now haunting the alleyway between the warehouse and cathedral as a prostitute? It puts her in the path of an attacker who preys on such women, who nearly kills her. Until the fog rolls in.

So begins an unlikely team of crime fighters. A hermit. A priest. A lawyer. Two prostitutes. Can they bring light to the seedy underbelly of Chicago? And maybe discover something about themselves–and of course, find some romance–along the way?

Curious yet? 😉

This is a truly fabulous book, and the moment I read the proposal, I knew we wanted it. And I was already envisioning the cover. I wanted to capture Miriam on one of her foggy night walks. Gray cloak obscuring her features, apprehension on her face. Perhaps when she first heard that moan coming from Ione. Perhaps when she sees dawn sneaking in.

As usual, I started with the stock photo sites, searching for images of women in cloaks. This was the best image I found for Miriam.

There’s a lot right about this–it’s full length, which I loved. The look on her face is great. Her face itself is a decent Miriam. But the braid–no. The color of the dress–no. For that matter, the color of the cape–no. And of course, the background is all wrong.

So I started by erasing the background and that braid. (Oh, how I love the clone and heal tools in Photoshop!)

Now that I had her isolated, I started playing with the colors. I decided to make the dress a teal. It is, in fact, not a color Miriam ever wore at this point in the story, but she ends up with a very important dress that draws on that color palette, and I like the idea of bringing it in.

Then I made the cloak gray.

At some point I remembered to change her eye color to gray too, but I don’t remember when I did that, LOL.

So my next task was the background. I actually did a lot of searching for this one, trying to find that perfect image that would capture Chicago at the time. I searched, and I searched. I tried some arches. I tried some doorways. And then I growled and tried “cathedral.” Bingo!

This is actually from New Orleans, LOL, but it’s the right style and age, and I loved the picture itself. Foggy, which blurs the street lights enough that you can’t really tell if they’re gas or electric.

But it’s too bright–you know, like day–and I wanted some serious mood. So I darkened the image and added a color overlay. Teal again, to pull in the dress. (And took out that orange traffic cone, LOL. Eventually. Actually didn’t notice it until Cara said, “Uh, Roseanna…?”)

 

Ah, much better. =) Now to plug Miriam into it.

Okay, now we’re getting somewhere. There’s just one rather crucial piece missing.

The fog.

I deemed this a learning experience and hit Google. =) You know what I love about the internet these days? There are tutorials for everything online. I’d never tried to create fog in Photoshop before, but I knew it could be done. So I typed “how to make fog in Photoshop” into my handy-dandy search engine, and voila! A tutorial! Better yet, it’s easy. A pretty simple matter of creating a new layer, adding the cloud filter, and then fooling with the fade gradient.

So I added a layer of fog to Miriam by the cathedral.

Ah yes, there we are! That’s what I was looking for!

Now, the masterful Cara Luecht also has some background in design, and an eye that shows it. She knew exactly what she wanted for her cover in terms of style. She wanted a black block at the bottom, a flourish coming up behind it, and the tag line for the book on there.

I actually had some trouble finding a flourish that would work. There are tons of free flourishes out there online, but they’re small. And I needed to make this one HUGE. So I actually ended up buying a vector pack, which I try to avoid for this sort of element, LOL. And selected this one.

Now, the title. We actually debated a bit about this too. =) Cara had at first titled it Portrait of Grace, which was thematically awesome. Problem was, it didn’t speak to the mystery and intrigue. And mystery and intrigue are a very vital element to this story, so we tossed around several different ideas. Drew on our other awesome WhiteFire authors to vote. And decided on Soul Painter. Because, well, she paints the souls of people. And paints them from her soul. So it works. =)

Hence began the search for a font. I couldn’t find one that I loved, so I ended up patching a couple together. The S in Soul is different than the rest.

Then we had only to put it all together!

And I’m thrilled to say that when I posted this one to Facebook, I got a bigger response than I ever had to a cover. My book club ladies even approached me at a Christmas event that week and said, “We’re reading that, right? Tell me more about it!” That tag line and the cover hooked them. Which is, of course, our goal. =)

And it’s a book that deserves to hook. It’s got intrigue, spiritual truths, history, romance, and hope against a backdrop of darkness. Love it. Seriously. And you will too. So you know, if you wanna pre-order, feel free. 😉

Behind the Design – Cover of Sweet Mountain Music

Behind the Design – Cover of Sweet Mountain Music

Quick note ~ Don’t forget I’m running a giveaway of The Wyoming Heir!
Click here to enter.
 ~*~

Last week I was in a designing groove, so had some fun with the next WhiteFire historical, due to release in May. Sweet Mountain Music is a really fun story set in the Pacific Northwest in the 1890s. Chloe Williston is determined to make a name for herself as a journalist and earn her father’s respect–and thinks the way to do it is to tag along on a handsome naturalist’s expedition. His search–for the legendary Great North American ape (a.k.a. Sasquatch or Bigfoot).

In a time when gorillas had just recently been discovered in Africa, the idea of a giant ape in North America was downright reasonable, and I just love the comical voice author Suzie Johnson employs as she combines history and romance with whimsy.
But here was my challenge as a designer–how do I capture the allure of the adventure but also convey the historical era? How do I make it look fun and compelling without crossing over into silly? And how in the world was I to find a model that would let me accomplish all this???
Well, I’d been browsing the stock image sites for a few months, trying various search options until I finally found a model that looked promising.

She has the right look for Chloe–honey brown hair, the old books in her arms are great. But I wanted a bit more quirk. And blue eyes. And the costume sure isn’t right–the shirt could pass, but that skirt is way too slim.

And Suzie specifically requested a pith helmet. So.

I took a public domain photo of this bustle-era dress:

and copied the bustle part onto Chloe. I tilted her head a bit to give her a more playful look, and also added a helmet.

The result was this model:

Definitely the look I was going for–I loved the contrast of the helmet that screamed “Victorian adventure!” with the bustle. The books speak to her ambitions, but also add to the contrast.
Next came the background. I toyed with quite a few before my hubby said, “You need something green. Somewhere where Bigfoot could be hiding.” So I searched for leafy pictures of the Cascade range, and this one really worked with my model picture.

Plugged it in behind her, adjusted some lighting, a layer for texture,

and voila. I did the usual dance while trying to find the perfect fonts and frame to offset the title, played with positioning etc. I landed on a combination I liked after just a bit of trial and error.

I just needed one more thing. Purely for fun. =) Something to harken back to that Sasquatch search. Something…something like this.

Nowhere too noticable, mind you. Sasquatch is a hard fella to find, after all. But I bet you can spot it. 😉 Here’s the final front cover.

I have to admit, I loved it as soon as it came together–it felt like “it” to me. So I sent it to Suzie, who agreed that it captured all the elements we wanted to capture. She loved it too, so there we go! The final cover!

While I was at it, I went ahead and built the full cover too. Back copy may yet be tweaked, and that endorsement is obviously a place holder, LOL.

Overall, I gotta say I love how this one turned out–which is all the better because it had me stumped for so long. But you know, for two days’ work, this was a lot of fun. Bring on the next, WhiteFire! 😉