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Alchemy.
When we hear the word, we think of one central meaning: the process of turning a cheap, base metal like lead into a precious metal like gold.
But did you know that alchemy used to mean something much broader–and would have been used without any connotation of impossibility, magic, or even unlikelihood?
Alchemy in English is from the Middle Ages, but it meant all chemistry (specifically pharmacetical) and medicine. The word had originated with the Greek word for Egypt–khymeia. Why? Because the greatest chemists and apothecaries of the ancient days were known to be from Alexandria. The al- beginning is just the Arabic word for “the.”
As science continued to develop, however, the scientific community decided to use the word chemistry for its pursuits in the field, leaving alchemy to those who sought what wasn’t scientifically possible.
Aerialists are acrobatic performers specializing in the sub-categories of acrobatics performed in the air. They include trapeze artists, tightrope-walkers, high wire acts, and performances on silks, hoops, rings, or other suspended devices.
Much of the history of these acts is a bit murky, with “founders” of the specific arts being credited mostly with bringing popularity to things hinted at in records well before their lifetimes.
Trapeze
The trapeze rocketed to fame thanks to French performer Jules Leotard, who is credited with the invention of the trapeze…though records show the word in use before he was born. At any rate, he brought new life and popularity to trapeze performances in the mid 1800s.
Types of trapezes include:
Sstatic trapeze–ropes and bars and rings that don’t move, around which the performer swings. These sports are still popular in gymnastics and even featured in the Olympic games.
Swinging trapeze–a bar suspended from ropes that allow the performers to swing out in an arc like a pendulum. Swinging Trapeze begins from a still position, and the performer works up his or her own momentum, much like one would do on a playground swing.
Flying trapeze–similar in form to a swinging trapeze, the flying trapeze differs in approach, with the aerialist leaping onto the bar from a great height and using gravity to provide the momentum.
Trapeze acts can be performed solo, in two, or even with more performers working together.
Silks and Ropes
The practice of using fabric or ropes to drop, climb, and twirl. Cirque du Soleil is in large part responsible for catapulting these skills to the fore, but it’s uncertain whether their history dates back further. For the purposes of the Imposters, I assumed that aerialists had been doing these tricks far longer than from the 1990s.
Aerial Hoops
An aerial hoop is a variation of a static trapeze that uses a large ring instead of a bar. Performers flips, twingle, hand, spin, and climb on and through the hoop for their act. The first recorded use of the aerial hoop was in an 1893 circus in New York, by a performer called “Caedo.”

W R I T E T O F R A N C O
Have questions about the circus or managerie?
You can email Franco directly at
Ringmaster@TheImpostersLtd.com
Learn more about the Edwardian circus that defined the Imposters’ childhood, get fashion tips from Lady M, explore the theater of the day, meet the team, pet the animals, go behind the Top Secret stamp to learn about intelligence in the early 20th century, train yourself to be a private investigator, and dive into some fun and games!
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Acrobatics have been around so many thousands of years that historians are left assuming they have always been around. Some of the most ancient art we have from societies like Greece, Rome, Egypt, and China all show images of people performing acrobatic feats.
Sometimes these performances were part of theater, court life, or competitions…sometimes they were part of cultural events. Ancient Minoan art depicts people performing acrobatics on the backs of bulls as part of the bull festivals, for example. In China, acrobats were part of the royal court from at least the Tang Dynasty, beginning in 203 BC.
In the Middle Ages in Europe, acrobats often performed for courts of both nobles and monarchs.
“Acrobatics” is a wide, general term that encompasses quite a lot of different things. Many of the ancient forms we see displayed in art include what we today would call contortionism, juggling, gymnastics, and balancing acts. The word itself is derived from Greek, combining “going on tip-toe, climbing up high” and “to walk.”
Typical breakdown of this general term includes:
Acrobalance – floor work in which the acrobats use balance and lifts to create shapes with their bodies.
Acro dance – classical dancing that uses precision acrobatic techniques
Aerial – acrobatics performed in the air, which you can read more about here. Includes trapeze, highwire, rings, hoops, and silks
Contortion – showcasing extreme flexibility
Rope and wire walking – dating from Ancient Greece, involves crossing a thin wire in the air, often performing tricks
Tumbling – what moderns call gymnastics, including somersaults, flips, rolls, and twists
Acrobatic displays, being perennial popular, were a natural edition to the first traveling circuses. Floor exercises were a simple edition, but it didn’t take long for Big Tops to include platforms for high wires, trapezes, hoops, and silks.
Though the first circuses mostly just featured exotic animals, audiences craved action, and so these highly skilled performers brought guests in and wowed them with their feats, colorful costumes, and seemingly impossible contortions. Acrobats have been a key component of circuses from the 19th century onward and are still a much beloved part of performances today.
Yates and Marigold are both skilled acrobats, having been training since they were children with the Caesars as well as independent groups their late father hired to entertain the neighborhood. Each of the Caesars specializes in a different subgenre of acrobatics.
Franco & Zelda – this married couple have a trapeze act, and Franco was the ringmaster as well
Drina – Franco’s sister is an expert on silks
Alafair – this Caesar cousin is a master at floor acrobatics

W R I T E T O F R A N C O
Have questions about the circus or managerie?
You can email Franco directly at
Ringmaster@TheImpostersLtd.com
Learn more about the Edwardian circus that defined the Imposters’ childhood, get fashion tips from Lady M, explore the theater of the day, meet the team, pet the animals, go behind the Top Secret stamp to learn about intelligence in the early 20th century, train yourself to be a private investigator, and dive into some fun and games!
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
I know we’ve all had this experience. Something’s on our mind or jumps out at us somewhere…and then we keep smacking into it again and again and AGAIN.
Sometimes it can be bad things, things we’d rather not be reminded of over and over. When we’re in seasons of grief, all the reminders of the loved one we lost can be heavy and hard. When we’re under stress from something in particular, that something shows up everywhere. When we’re dreading something, it surrounds us.
Sometimes the repeated message is one of encouragement, lifting us up day after day when we need it most. Speaking the same edifying words into our spirits day after day, hour after hour, from different sources and different mouths, but always with the same message. Maybe it’s a reminder that we’re loved…or that we’re seen…or that He’s there with us, we’re not alone. Maybe it’s encouragement to press on, to persevere, to run the race with endurance.
Often, in my life at least, I run into specific themes…themes for seasons. Sometimes they speak directly to whatever I’m going through, sure–and sometimes they alert me to something I know I need to pay attention to. Or sometimes I’m pretty sure I just begin to notice what’s already, always surrounding me. Those are fun too.
In the last month or so, I’ve been bumping into a lot of themes that speak to God being the God of the depths and the heights, of sea and of air, heaven and earth. How He calms the waves and the wind, silences the storm, and rescues us in our distress. Why have these jumped out at me? Well, because I’m playing around with a story that leans heavily on these natural elements as themes. There were so many mentions of them in my monthly devotional book though that I stashed the June edition with my research books to draw on whenever I’m writing this story. I literally just opened it to a random page just now and saw this from Psalm 107
Some sailed to the sea in ships
to trade on the mighty waters.
These men have seen the Lord’s deeds,
the wonders he does in the deep.
For he spoke; he summoned the gale,
raising up the waves of the sea.
Tossed up to heaven, then into the deep;
their soul melted away in their distress.
They staggered, reeled like drunken men,
for all their skill was gone.
Then they cried to the Lord in their need
and he rescued them from their distress.
He stilled the storm to a whisper:
all the waves of the sea were hushed.
They rejoiced because of the calm
and he led them to the haven they desired.
These words jumped out at me first because I thought, “Oh hey, I can use these as quotes to start my chapters and sections!” Always the writer, LOL. But they resonate for a far deeper reason.
They resonate because even though I’m not a sailor, even though I’ve never really even been on a ship, even though I’m never in the middle of the sea, beset by literal storms, crying out to God for a very physical deliverance, I still get it. We all do.
Because we’ve all had seasons of life when we feel adrift on an endless sea. When the storms come upon us, and all our strength fails. We all have seasons in life when all our skill, all our talent, all our abilities fail us. We can’t do it anymore. We can’t win against forces so much stronger than us. We can only cry out to God.
And that’s all we have to do. Because God will rescue us. He’s there. He’s not only there, He has the power. The power to calm our storms to a mere whisper. The power to reduce the waves that would swamp us to a mother’s comforting shush. The power to pull us out of the depths and deliver us to a safe harbor.
We’ve all been there, or will be. That’s why Psalm 107 still matters to us today, even when we’re landlocked lubbers. And maybe it’s also why trips to the coast are my favorite–where I can see the vastness of this world stretching out to the horizon. See the minuscule grains of sand beneath my feet. And know that my God is the God of the infinite, in both directions. He is the God of the universe, the galaxy, the solar system, the world, the sea. He is the God of the grains and the crystals and the cells and the molecules and the atoms and the sub-atomic particles. The God of the nano and the macro. The biggest and the smallest. Nothing is outside His power, even when it is so, so outside my own.
That’s a big part of what I want to explore in this story I’m playing with. And it matters, because it’s a big part of the theme for this season of my life.
What’s the theme of your season? What words have you come across over and over again these past weeks or months? What resonates deep in your spirit and speaks to your heart today?
Dandelions. We’re all quite familiar with those sunny little flowers, right? Weeds, most people say. But to be quite honest, I always loved them. They’re so cheerful and happy when in their yellow stage…and though not quite so pretty when they’ve gone to seed, that white puff is FUN, am I right? Eh? Eh? 😉
But what about the word itself? Have you ever pondered why this oh-so-abundant member of the daisy family (that’s right, it IS a flower!) has “lion” in its name?
I think I always assumed that it was because the yellow petals were reminiscent of a mane. But nope. I was wrong.
Dandelion, which has been an English word since the 1300s, is actually from Old French dent de lion, which is in turn directly from Latin dens leonis, meaning “lion’s tooth.” Um…er…em…huh? Yup. Not for the petals…for the LEAVES, with their jagged edges.
Go figure!
Another name given once-upon-a-time to this plan was tell-time (also from the late 1300s), so called either because of how the flower opens up with the sunshine, or perhaps based on an idea that the number of puffs it takes to blow off the seeds corresponds to the hour. (Riiiiiight.) I’d never heard that name for them, but it was interesting enough to share!
Okay, so ‘fess up. How do you really feel about dandelions?