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But Moses said to God, “Who am I that I should go to Pharaoh and lead the children of Israel out of Egypt?”
He answered, “I will be with you; and this shall be your proof that it is I who have sent you: when you bring my people out of Egypt, you will worship God on this very mountain.”
Exodus 3:11-12
Have you ever spoken the words, “Prove it”?
Has anyone ever demanded it of you?
What answers were acceptable in that situation? Usually, when someone challenges you to prove something, you have to produce evidence. History. Documentation. Indisputable logic.
According to Merriam-Webster, proof is “the cogency of evidence that compels acceptance by the mind of a truth or a fact” or maybe “something that induces certainty or establishes validity.” An older use of the word is “the quality or state of having been tested or tried.”
In Geometry, a proof takes you step by step from a given statement to a new discovery. In physical science, proof is the result of testing, a meaning that we still retain for things like alcoholic content, which is known only by the test it undergoes.
Always, always the word carries a meaning of demonstration through evidence.
Now let’s look at that passage in Exodus again. When I read this recently, those words from God jumped out at me, and I couldn’t quite square them. Moses questions whether he can do the task assigned to him, and God’s answer is “I’ll be with you. And I’ll prove it to you–you’ll come back here and worship me.”
Now, if anyone but God had said this, I’d frown and say, “Yeah, um, that’s not proof.” It contains no reasoning. No logic. No step-by-step deduction. At best, it’s a self-fulfilling prophecy–of course Moses would bring them back to Horeb (aka Sinai) to worship, because God just said he would. Right?
Clearly I was missing something. And the question hounded me all day. Answers flitted into and out of my mind as I went about my tasks; first I’d think, “Oh, of course!” and then an hour later I’d go, “What was that again? I’ve lost it.” I’m still not sure what I thought I’d come up with at the time…but as I continued to contemplate the question over the next several days, something settled in my heart.
God swears only by Himself, because there is no greater thing in the universe to swear by. God will occasionally appease us when we ask for proof, yes, but a wet or dry fleece is a pretty silly little thing, right? When He’s telling us to do something, when He’s inviting us to walk beside Him into our destiny, to change the course of a nation, of history, or just of our own lives, He can offer visible, logical proof.
But sometimes…often…He offers something far better. Something far bigger. Something far less easily comprehended by our finite minds.
He offers Himself.
The proof, my friends, is the promise.
When God is speaking to Moses this first time, the ultimate proof He gives is the very promise it follows: I will be with you. I will lead you. And you’ll know it, because I’m going to lead you right back to where you started. You’ll know it because I’m not just calling my people to freedom. I’m calling them to worship.
That was the promise–that was the proof. When asked for evidence, the best, biggest, and deepest form of it is worship.
Maybe that makes little sense to us, but think about it in context. The Israelites had been living in Egypt for hundreds of years. We know from other Scripture passages that most Israelites worshiped the gods of Egypt, and if a few remembered the God of Abraham, Isaac, and Jacob, it was an imperfect knowledge. Few, if any, understood what that meant. What He demanded. How to serve Him. It’s no coincidence that all the Laws handed down had the common theme of setting yourselves apart. No mixing. No blending. Purity must saturate their lives, inside and out. Necessary instruction because it WASN’T how they were living.
Hundreds of thousands of people serving Egypt, its gods, and themselves…hundreds of thousands of people that had no knowledge or respect of Moses…hundreds of thousands of people that ached for freedom as much as they feared it.
To those people, through that unknown man, God promised something unheard of. You will all worship me here, in one place. How? Because I am with you.
Gods weren’t known for walking by humanity’s side in the ancient days. Gods were capricious. Demanding. Fickle. Cruel. Gods promised success to those who worshipped them right without knowing the rules.
The Lord showed Himself to be different. He promised worship through the rules because He loves us and is moved by our cries.
This isn’t geometric. It isn’t logical. It isn’t evidentiary.
It’s something better. It’s God coming down. Igniting a fire without burning us up. Calling out to us where we least expect Him, when we’re just going about our work. Charging us with a task we know we can’t do, and promising that we will do it, because He is with us. And we’ll know it’s true, because He’ll meet us there.
His proof isn’t just what has come before–it’s what will come when we obey.
His proof is His promise. And we learn it only by obeying the call.
Alchemy.
When we hear the word, we think of one central meaning: the process of turning a cheap, base metal like lead into a precious metal like gold.
But did you know that alchemy used to mean something much broader–and would have been used without any connotation of impossibility, magic, or even unlikelihood?
Alchemy in English is from the Middle Ages, but it meant all chemistry (specifically pharmacetical) and medicine. The word had originated with the Greek word for Egypt–khymeia. Why? Because the greatest chemists and apothecaries of the ancient days were known to be from Alexandria. The al- beginning is just the Arabic word for “the.”
As science continued to develop, however, the scientific community decided to use the word chemistry for its pursuits in the field, leaving alchemy to those who sought what wasn’t scientifically possible.
Aerialists are acrobatic performers specializing in the sub-categories of acrobatics performed in the air. They include trapeze artists, tightrope-walkers, high wire acts, and performances on silks, hoops, rings, or other suspended devices.
Much of the history of these acts is a bit murky, with “founders” of the specific arts being credited mostly with bringing popularity to things hinted at in records well before their lifetimes.
Trapeze
The trapeze rocketed to fame thanks to French performer Jules Leotard, who is credited with the invention of the trapeze…though records show the word in use before he was born. At any rate, he brought new life and popularity to trapeze performances in the mid 1800s.
Types of trapezes include:
Sstatic trapeze–ropes and bars and rings that don’t move, around which the performer swings. These sports are still popular in gymnastics and even featured in the Olympic games.
Swinging trapeze–a bar suspended from ropes that allow the performers to swing out in an arc like a pendulum. Swinging Trapeze begins from a still position, and the performer works up his or her own momentum, much like one would do on a playground swing.
Flying trapeze–similar in form to a swinging trapeze, the flying trapeze differs in approach, with the aerialist leaping onto the bar from a great height and using gravity to provide the momentum.
Trapeze acts can be performed solo, in two, or even with more performers working together.
Silks and Ropes
The practice of using fabric or ropes to drop, climb, and twirl. Cirque du Soleil is in large part responsible for catapulting these skills to the fore, but it’s uncertain whether their history dates back further. For the purposes of the Imposters, I assumed that aerialists had been doing these tricks far longer than from the 1990s.
Aerial Hoops
An aerial hoop is a variation of a static trapeze that uses a large ring instead of a bar. Performers flips, twingle, hand, spin, and climb on and through the hoop for their act. The first recorded use of the aerial hoop was in an 1893 circus in New York, by a performer called “Caedo.”
W R I T E T O F R A N C O
Have questions about the circus or managerie?
You can email Franco directly at
Ringmaster@TheImpostersLtd.com
Learn more about the Edwardian circus that defined the Imposters’ childhood, get fashion tips from Lady M, explore the theater of the day, meet the team, pet the animals, go behind the Top Secret stamp to learn about intelligence in the early 20th century, train yourself to be a private investigator, and dive into some fun and games!
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Acrobatics have been around so many thousands of years that historians are left assuming they have always been around. Some of the most ancient art we have from societies like Greece, Rome, Egypt, and China all show images of people performing acrobatic feats.
Sometimes these performances were part of theater, court life, or competitions…sometimes they were part of cultural events. Ancient Minoan art depicts people performing acrobatics on the backs of bulls as part of the bull festivals, for example. In China, acrobats were part of the royal court from at least the Tang Dynasty, beginning in 203 BC.
In the Middle Ages in Europe, acrobats often performed for courts of both nobles and monarchs.
“Acrobatics” is a wide, general term that encompasses quite a lot of different things. Many of the ancient forms we see displayed in art include what we today would call contortionism, juggling, gymnastics, and balancing acts. The word itself is derived from Greek, combining “going on tip-toe, climbing up high” and “to walk.”
Typical breakdown of this general term includes:
Acrobalance – floor work in which the acrobats use balance and lifts to create shapes with their bodies.
Acro dance – classical dancing that uses precision acrobatic techniques
Aerial – acrobatics performed in the air, which you can read more about here. Includes trapeze, highwire, rings, hoops, and silks
Contortion – showcasing extreme flexibility
Rope and wire walking – dating from Ancient Greece, involves crossing a thin wire in the air, often performing tricks
Tumbling – what moderns call gymnastics, including somersaults, flips, rolls, and twists
Acrobatic displays, being perennial popular, were a natural edition to the first traveling circuses. Floor exercises were a simple edition, but it didn’t take long for Big Tops to include platforms for high wires, trapezes, hoops, and silks.
Though the first circuses mostly just featured exotic animals, audiences craved action, and so these highly skilled performers brought guests in and wowed them with their feats, colorful costumes, and seemingly impossible contortions. Acrobats have been a key component of circuses from the 19th century onward and are still a much beloved part of performances today.
Yates and Marigold are both skilled acrobats, having been training since they were children with the Caesars as well as independent groups their late father hired to entertain the neighborhood. Each of the Caesars specializes in a different subgenre of acrobatics.
Franco & Zelda – this married couple have a trapeze act, and Franco was the ringmaster as well
Drina – Franco’s sister is an expert on silks
Alafair – this Caesar cousin is a master at floor acrobatics
W R I T E T O F R A N C O
Have questions about the circus or managerie?
You can email Franco directly at
Ringmaster@TheImpostersLtd.com
Learn more about the Edwardian circus that defined the Imposters’ childhood, get fashion tips from Lady M, explore the theater of the day, meet the team, pet the animals, go behind the Top Secret stamp to learn about intelligence in the early 20th century, train yourself to be a private investigator, and dive into some fun and games!
The page you requested could not be found. Try refining your search, or use the navigation above to locate the post.
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I know we’ve all had this experience. Something’s on our mind or jumps out at us somewhere…and then we keep smacking into it again and again and AGAIN.
Sometimes it can be bad things, things we’d rather not be reminded of over and over. When we’re in seasons of grief, all the reminders of the loved one we lost can be heavy and hard. When we’re under stress from something in particular, that something shows up everywhere. When we’re dreading something, it surrounds us.
Sometimes the repeated message is one of encouragement, lifting us up day after day when we need it most. Speaking the same edifying words into our spirits day after day, hour after hour, from different sources and different mouths, but always with the same message. Maybe it’s a reminder that we’re loved…or that we’re seen…or that He’s there with us, we’re not alone. Maybe it’s encouragement to press on, to persevere, to run the race with endurance.
Often, in my life at least, I run into specific themes…themes for seasons. Sometimes they speak directly to whatever I’m going through, sure–and sometimes they alert me to something I know I need to pay attention to. Or sometimes I’m pretty sure I just begin to notice what’s already, always surrounding me. Those are fun too.
In the last month or so, I’ve been bumping into a lot of themes that speak to God being the God of the depths and the heights, of sea and of air, heaven and earth. How He calms the waves and the wind, silences the storm, and rescues us in our distress. Why have these jumped out at me? Well, because I’m playing around with a story that leans heavily on these natural elements as themes. There were so many mentions of them in my monthly devotional book though that I stashed the June edition with my research books to draw on whenever I’m writing this story. I literally just opened it to a random page just now and saw this from Psalm 107
Some sailed to the sea in ships
to trade on the mighty waters.
These men have seen the Lord’s deeds,
the wonders he does in the deep.
For he spoke; he summoned the gale,
raising up the waves of the sea.
Tossed up to heaven, then into the deep;
their soul melted away in their distress.
They staggered, reeled like drunken men,
for all their skill was gone.
Then they cried to the Lord in their need
and he rescued them from their distress.
He stilled the storm to a whisper:
all the waves of the sea were hushed.
They rejoiced because of the calm
and he led them to the haven they desired.
These words jumped out at me first because I thought, “Oh hey, I can use these as quotes to start my chapters and sections!” Always the writer, LOL. But they resonate for a far deeper reason.
They resonate because even though I’m not a sailor, even though I’ve never really even been on a ship, even though I’m never in the middle of the sea, beset by literal storms, crying out to God for a very physical deliverance, I still get it. We all do.
Because we’ve all had seasons of life when we feel adrift on an endless sea. When the storms come upon us, and all our strength fails. We all have seasons in life when all our skill, all our talent, all our abilities fail us. We can’t do it anymore. We can’t win against forces so much stronger than us. We can only cry out to God.
And that’s all we have to do. Because God will rescue us. He’s there. He’s not only there, He has the power. The power to calm our storms to a mere whisper. The power to reduce the waves that would swamp us to a mother’s comforting shush. The power to pull us out of the depths and deliver us to a safe harbor.
We’ve all been there, or will be. That’s why Psalm 107 still matters to us today, even when we’re landlocked lubbers. And maybe it’s also why trips to the coast are my favorite–where I can see the vastness of this world stretching out to the horizon. See the minuscule grains of sand beneath my feet. And know that my God is the God of the infinite, in both directions. He is the God of the universe, the galaxy, the solar system, the world, the sea. He is the God of the grains and the crystals and the cells and the molecules and the atoms and the sub-atomic particles. The God of the nano and the macro. The biggest and the smallest. Nothing is outside His power, even when it is so, so outside my own.
That’s a big part of what I want to explore in this story I’m playing with. And it matters, because it’s a big part of the theme for this season of my life.
What’s the theme of your season? What words have you come across over and over again these past weeks or months? What resonates deep in your spirit and speaks to your heart today?